Thinkingdog Publishing

  I once read that inspiration strikes like lightning. That’s a lie. At least for me. Inspiration sneaks up on me like a cat deciding whether to knock over a glass of water. It circles, it considers, it waits until I’m in the shower with no access to a notebook and then it pounces. So where does my inspiration come from? Well, buckle up, because it’s a weird and wonderful mix. First, there’s nature. And not just in a “how poetic, the whispering pines” kind of way. No, I mean nature nature . The kind where I go on my daily walks and see a squirrel making direct eye contact with me while committing crimes against a bird feeder. Or when a branch creaks ominously in the wind, and I’m instantly imagining a Victorian ghost lady pointing toward a hidden clue. Or that one time I saw a crow drop an acorn directly on a jogger’s head, and I started wondering if animals hold grudges. And speaking of animals, let’s talk about the real queen of my inspiration: my Papillon dog. My tiny, f...

There’s a persistent rumor floating around that writers live thrilling, adventure-filled lives. Perhaps it’s all the dramatic author portraits on book jackets—moody, windswept, staring off into the distance as if contemplating the fate of the world. Perhaps it’s the movies, where writers are always dashing off to Paris to write the next great novel in a charming café (suspiciously never interrupted by spotty Wi-Fi or overpriced croissants). I hate to break it to you, but real writing? Not quite so cinematic. In reality, my writing days mostly involve staring intensely at my screen, willing the words to appear through sheer force of will. Occasionally, I engage in deep philosophical debates with myself—such as whether my protagonist should turn left or right down a hallway (the fate of the fictional world depends on it). And let’s not forget the highly intellectual process of naming characters, which can take hours because somehow every single name I think of is either the name of ...

  The question comes up all the time. It’s inevitable. Like taxes. Or discovering that you’ve been walking around with spinach in your teeth all day. "Who’s your favorite character?" And I should have a definitive answer, right? Like, boom—here’s my favorite! Neatly tied up, no hesitation, no emotional turmoil, no staring off into the middle distance questioning my life choices. But no. That is not how this works. That is not how any of this works. My knee-jerk reaction is always Pixie . Pixie, my telepathic, sass-infused, magical Papillon from the Magical Papillon Mysteries . How could I not pick her? She’s got it all—wit, charm, fluffy ears, and, most importantly, magic. I mean, who wouldn’t want a touch of magic? I can barely find my car keys half the time. Pixie would just twitch an ear, and boom—problem solved. And she’s funny. Not just “accidentally amusing” funny. No, she’s deliberately funny. She says the things we all wish we could say, with perfect comed...

As writers, we’ve all asked ourselves that nagging question: “Is my book long enough? Too short? How long should it be?” It’s easy to get caught up in the numbers, obsessing over whether our work fits neatly into arbitrary word count guidelines. But here’s the truth: Word count should never dictate the quality of your story. The heart of storytelling lies in the narrative itself, not in how many pages it spans. The Pressure of Word Count From NaNoWriMo goals to publishing industry standards, writers face constant reminders about “acceptable” word counts. A novel must be 80,000-100,000 words. A novella shouldn’t exceed 40,000. Short stories have their own limits. These guidelines are helpful, but they can also be stifling. We begin to pad scenes unnecessarily or trim meaningful moments just to conform to these benchmarks. I’ve been there. I’ve wrestled with my manuscript, forcing it to stretch or condense to meet expectations. And you know what happened? The authenticity of the...