Thinkingdog Publishing

 They always say “write what you know,” right? At first, I thought they meant, “write about your soul-crushing office job and how Alyssa from accounting eats all the good donuts and Rick never refills the coffee pot.” You know, the usual psychological warfare of cubicle life. And sure, I could’ve written a blistering satire on office politics that would make Kafka weep. But here’s the truth: that wasn’t my heart talking. That was caffeine withdrawal and the lingering trauma of HR-mandated birthday parties. Back then, I wrote romance novels. They were lovely, sweeping stories. Handsome cowboys, city girls with trust issues, sunset kisses—you know the drill. People liked them. My mom liked them. The mailman once said one made him cry, though he might’ve been referring to his allergies. But something was off. I was writing about love, but my heart wasn’t in it—which is wildly ironic when you think about it. A romance author without romantic feelings about her own work. There’s a pl...

As writers, we’ve all asked ourselves that nagging question: “Is my book long enough? Too short? How long should it be?” It’s easy to get caught up in the numbers, obsessing over whether our work fits neatly into arbitrary word count guidelines. But here’s the truth: Word count should never dictate the quality of your story. The heart of storytelling lies in the narrative itself, not in how many pages it spans. The Pressure of Word Count From NaNoWriMo goals to publishing industry standards, writers face constant reminders about “acceptable” word counts. A novel must be 80,000-100,000 words. A novella shouldn’t exceed 40,000. Short stories have their own limits. These guidelines are helpful, but they can also be stifling. We begin to pad scenes unnecessarily or trim meaningful moments just to conform to these benchmarks. I’ve been there. I’ve wrestled with my manuscript, forcing it to stretch or condense to meet expectations. And you know what happened? The authenticity of the...