Thinkingdog Publishing

There was a time I wanted my writing to sparkle — every sentence polished like a diamond, every metaphor clever enough to make my English teacher rise from her chair in slow applause. I’d tinker with sentences for hours, swapping “walked” for “meandered” or “ambled,” then back again, trying to sound like A Serious Author™. You know the type. The kind who drinks coffee with too much intensity and uses “juxtaposition” in casual conversation. But somewhere between the endless editing and the overthinking, I realized something uncomfortable: I was writing to impress other writers, not to move readers. It hit me one day when my best friend — not a writer, not even a big reader — read a scene from one of my drafts and said quietly, “That part made me cry.” She didn’t care about my sentence rhythm. She didn’t notice the metaphor I’d sweated over for an hour. She felt something. And that’s when I understood: readers don’t fall in love with your words. They fall in love with your truth. We...

Let’s talk about favorite writing tools. Now, I know some authors might name drop fancy apps, sleek white minimalist keyboards, or those delicate fountain pens with gold nibs that require ceremonial ink rituals … But me? My tools are a little less... romantic. A little more indestructible . And, dare I say, a little more clunky with character . Once upon a time—cue flashback shimmer—I wrote all my stories by hand . Not just a page or two, either. I mean boxes and boxes of handwritten notebooks , full of scribbles, side notes, doodles in the margins, entire character backstories I forgot existed until ten years later. My early stories were a workout for my wrist. I had pens running dry faster than a coffee pot in a newsroom. It was chaotic. It was glorious. Typing those books up? A mission. A translation project. A cryptic decoding effort worthy of Indiana Jones. There were arrows. Stars. Entire paragraphs stuffed sideways in the margins like they were trying to escape the story. So...