Skip to main content

From Whispers to Screams: My Hilarious Journey into Audiobook Narration


Picture this: 

a mild-mannered mystery writer, armed with nothing but a dream, a microphone, and a relative who knows his way around a soundboard. What could possibly go wrong? Everything, my friends. Everything.

The Birth of a Brilliant (Read: Insane) Idea

It all started when I thought, "Hey, wouldn't it be great if my cozy mystery 'Whispers in the Attic' could actually whisper in people's ears?" Little did I know, I was about to embark on a four-month journey that would test my sanity, my vocal cords, and my family's patience.

Learning to Talk: Take 436

First step: learn to narrate. How hard could it be? I talk all the time! Turns out, talking into a microphone for hours on end is about as natural as trying to lick your elbow. There were days when I sounded less like a smooth narrator and more like a choking cat trying to recite Shakespeare.

Software: The Real Mystery

Next up: mastering audio software. Because apparently, writing a mystery novel wasn't enough of a brain-teaser. I spent countless hours staring at waveforms, wondering if I was editing an audiobook or decoding alien transmissions. Pro tip: clicking random buttons and hoping for the best is not a valid editing technique.

ACX: The Final Boss

Just when I thought I had it all figured out, enter ACX and its requirements. It was like trying to solve a Rubik's Cube while blindfolded and riding a unicycle. Backward. On fire. There were moments when I seriously considered if carrier pigeons might be a more efficient way to distribute my audiobook.

Family: The Unsung Heroes

Shoutout to one of my awesome relative a broadcaster/podcaster pro who swooped in like an audio superhero. Without him, this audiobook might have ended up sounding like it was recorded underwater. In a storm. With dolphins.

The Light at the End of the Tunnel (It Wasn't a Train!)

After four months of blood, sweat, and tears (mostly tears), "Whispers in the Attic" was ready for ears everywhere. The sense of triumph was overwhelming. I may or may not have run around the house screaming, "It's alive!" like a mad scientist.

Would I Recommend This Journey?

With caution, my friends. With great caution. Unless you enjoy talking to yourself for hours, have a penchant for technical frustration, and possess the patience of a saint, maybe stick to writing. But if you're as stubbornly determined (read: slightly unhinged) as I am, go for it! The satisfaction of hearing your words come to life is worth every moment of madness.

The Grand Finale


    So there you have it, folks. My journey from writer to narrator, from sane to slightly less so. "Whispers in the Attic" is now not just a book you can read, but an audiobook you can listen to. Whether you prefer to use your eyes or your ears, the choice is yours. And the really great part is something called "Whispersync". No - that is Audible's term, not mine, though it fits. If you own the ebook already.... you can get the audio version for something like $7 and switch back and forth. Awesome!!

Just remember, every time you hear a perfectly narrated line, picture me, probably in my pajamas, probably on my fifth cup of coffee, probably questioning all my life choices.

Now, if you'll excuse me, I need to go lie down in a soundproof room and enjoy the sweet, sweet silence. Until inspiration strikes again, that is. Audiobook sequel, anyone? (Just kidding. Or am I?)

 Check it out

Check it out - Whispers in the attic, book one in the "Magical Papillon" series of cozy mysteries. Now as an audiobook, on Amazon, Audible and itunes.

Comments

Popular posts from this blog

DIY Audiobook. A bit of equipment, good advice and lots of patience

I want to create an Audiobook - should I?  Ever since the release of book one in the "Cannabis Preacher" series of thrillers, that question has been on my mind.  The "Cannabis Preacher" books were quite long. To produce an audiobook from each of the four, including voice actors and audio production with a turn key service, I was looking at around $15,000 per book. Financially, that was a non-starter for me at the time. That amount represented a LOT of books and audiobooks to sell to recover the investment, and I shelved my plan again.  With the popularity of the "Magical Papillon" cozy mystery series, I found myself coming back to the growing popularity of audiobooks. I knew that audiobooks could reach a wider audience and catered to busy readers who prefer listening while multitasking. The idea of bringing my characters to life through narration excited me, as it offered a new dimension to my storytelling.  The cozy mysteries were only 60-65,000...

Writers, Don’t Be a Slave to Word Count: Let the Story Speak for Itself

As writers, we’ve all asked ourselves that nagging question: “Is my book long enough? Too short? How long should it be?” It’s easy to get caught up in the numbers, obsessing over whether our work fits neatly into arbitrary word count guidelines. But here’s the truth: Word count should never dictate the quality of your story. The heart of storytelling lies in the narrative itself, not in how many pages it spans. The Pressure of Word Count From NaNoWriMo goals to publishing industry standards, writers face constant reminders about “acceptable” word counts. A novel must be 80,000-100,000 words. A novella shouldn’t exceed 40,000. Short stories have their own limits. These guidelines are helpful, but they can also be stifling. We begin to pad scenes unnecessarily or trim meaningful moments just to conform to these benchmarks. I’ve been there. I’ve wrestled with my manuscript, forcing it to stretch or condense to meet expectations. And you know what happened? The authenticity of the...

The Glamorous Life of a Writer (Or, Mostly Just Staring at a Screen)

There’s a persistent rumor floating around that writers live thrilling, adventure-filled lives. Perhaps it’s all the dramatic author portraits on book jackets—moody, windswept, staring off into the distance as if contemplating the fate of the world. Perhaps it’s the movies, where writers are always dashing off to Paris to write the next great novel in a charming café (suspiciously never interrupted by spotty Wi-Fi or overpriced croissants). I hate to break it to you, but real writing? Not quite so cinematic. In reality, my writing days mostly involve staring intensely at my screen, willing the words to appear through sheer force of will. Occasionally, I engage in deep philosophical debates with myself—such as whether my protagonist should turn left or right down a hallway (the fate of the fictional world depends on it). And let’s not forget the highly intellectual process of naming characters, which can take hours because somehow every single name I think of is either the name of ...