Thinkingdog Publishing

Have you ever shouted at the universe, shaken your fist at the sky, or quietly (or not-so-quietly) begged your coffee machine to please just do this one thing right for once ? Have you ever wished—deep down—that you had a wand to wave, a spell to chant, or a dragon to sic on your internet provider? Same. That’s why I write magic. Now, let me back up a bit. I’ve been in situations where life handed me lemons, but also forgot the sugar, the water, the pitcher, and the instructions. You know the kind: where things feel wildly unfair, like the villain is clearly winning, and you're stuck with the sidekick role—but without the witty one-liners or costume budget. So, what do you do when real life is missing sparkle, fairness, and the satisfaction of a dramatic entrance? You invent a world where things can change with a spell. Where you can say the thing you wish you said. Where justice doesn’t take years and three lawyers. Where kindness is a superpower, animals talk back (sometim...

Let me tell you a tale. Not one of haunted teapots or talking Papillon dogs (although Pixie would like a word), but of the realest mystery of all: how on earth I write books. You see, I used to be what we in the wild world of writing call a “pantser.” That’s right. No outline. No plan. No safety net. Just me, a cup of coffee, a keyboard, and a deeply misplaced confidence that the story would figure itself out. And for a long time, that worked. After all, I write about magic. My characters talk to ghosts, solve murders with help from enchanted pets, and navigate small-town charm with a sprinkle of witchiness. If ever there were stories that wanted to make their own decisions, it’s mine. Half the time, I’m just along for the ride while my characters whisper, “Step aside, mortal. We’ve got this.” But now? I’m on book eight of the Magical Papillon Mysteries . Six. That’s practically a small town of books. And let me tell you—by the time your characters have investigated a half-do...

So - here we go again: it’s 7:13 AM. I’m in my robe. I have one sock on. The dog is staring at me like I just told her I threw out all the treats. My laptop is open, the cursor blinking like it’s judging me, and I’m staring at my manuscript thinking: Who gave me permission to write a book? Was there a form? A permit? Did I miss the licensing exam? Welcome to Tuesday. Also known as: “Imposter Syndrome’s Favorite Day.” Here’s the thing—I thought imposter syndrome was something that happened only to other people. People who accidentally got promoted to CEO when they meant to send an email. Or someone who woke up famous and didn’t know how to use Instagram filters. But no. Imposter syndrome is an equal opportunity mischief-maker. And for writers? It’s practically a roommate. Don’t believe me? Let’s talk about John Steinbeck. You know, Of Mice and Men , The Grapes of Wrath , East of Eden —that guy. He once wrote this in his journal: “My many weaknesses are beginning to show their head...

When people ask me what I miss most about Germany, they expect me to say something dramatic like castles, cobblestones, or perhaps men in lederhosen playing accordions under ancient oak trees. But no. The truth is far simpler—and far sweeter. I miss Kaffee und Kuchen. In Germany, Sunday afternoons have a rhythm as steady as a church bell. Around three or four o’clock, no matter how busy the week has been, people pause. Coffee is brewed. Cakes—sometimes rich and chocolatey like a proper Black Forest, sometimes fruity, tart, and dusted with sugar, sometimes streusel-strewn and buttery—are sliced and plated. Families and friends gather around tables, whether in kitchens or crowded cafés, and for one golden hour the world slows down. It isn’t really about the cake, though heaven knows the cake is reason enough. It’s about connection. It’s about talking face to face rather than through texts or rushed phone calls. It’s about traditions that stitch the week together, offering the promise t...

There I was, minding my own business, when fate decided to play a cruel joke. I dropped my phone. Not from a rooftop, not into a pond, not even in one of those heart-stopping toilet disasters. Nope. It just slipped from my hand like it was auditioning for a role in a soap opera. Dramatic fall. Shattered screen. Exit stage left. So, I did what any reasonable person would do—I got a new one. Same brand, just the next model up. Easy peasy, right? Wrong. Wrong in the way a “surprise” villain shows up in chapter twenty-seven of a cozy mystery even though he hasn’t been in the book since chapter two. Apparently, in the five years since I last upgraded (yes, five years—I like to think of myself as loyal, not outdated), phones have learned how to argue with their owners. This new contraption asks me every five minutes if I “really meant to do that.” Why yes, Phone Overlord, I did mean to open my email. I’ve been opening my email since the dawn of Gmail, and I don’t need your judgment. And t...

I’ll admit it right here in front of the internet and anyone snooping on my Wi-Fi connection: I am obsessed with small towns. Not in a mildly fond way, like I’m a fan of flannel or I occasionally fantasize about running a pie shop. No, no. I mean full-on, planning-my-escape-to-a-town-with-one-stoplight obsessed. You know the type of town where the mayor is also the mechanic and possibly the yoga instructor. The kind of place where people don’t use Google Maps to find your house—they just describe it as “the white cottage with the hydrangeas where the ghost dog lives.” Yes. That kind of small town. It’s not a coincidence that I chose to set my Magical Papillon Mysteries in just such a place: the delightfully peculiar village of Rosewood Hollow. A place that practically smells like cinnamon rolls, candle wax, and secrets. Because here’s the truth—we are all secretly (or not-so-secretly) drawn to the warm hug that is small-town life. Even if we’ve never lived in one. Even if...

Growing up, I was a walking, talking mystery to my family. Honestly, if my dad and I hadn’t been so close, I might’ve been written off as an alien life form left on the doorstep. You see, my parents were the definition of hard-working, salt-of-the-earth people. Good people. Honest people. The kind of people who fixed things with duct tape and cooked dinner while doing three other things at once. My mom could stretch a dollar until it begged for mercy. My dad could fix a car engine with a shoelace and a pocketknife. And there I was: doodling in the margins of my notebook, daydreaming about far-off lands and writing dramatic poetry about the moon. When it came time for me to "learn a trade," the recommendation was solid: secretarial work. It was practical. It made sense. It paid the bills. And it made me about as happy as a cat at a dog show. I spent forty years (yes, four-zero, not a typo) working jobs that made me feel like a square peg hammered into a round hole. I showed...