The Perfect Stool for Recording Audiobooks

You probably know by now that I've started recording my own books as audiobooks. One of the things I learned fairly early on, is how important it is to maintain good posture while recording. Recently, I stumbled upon a little stool that has completely transformed my recording sessions, and I just have to share!

When you’re sitting for long periods, especially while focusing on your voice and pronunciation, sitting up straight and leaning slightly forward is crucial. I used to use a barstool, but it wasn’t quite cutting it anymore, and now and then it would creak! No good for an audiorecording.
That all changed last weekend when I walked into my local HomeSense and found this little beauty! One test sit and I was convinced.

Why Posture Matters

Good posture helps with voice projection and clarity. Slumping or slouching can hinder your performance, and trust me, that’s the last thing you want when you’re trying to deliver the best possible audiobook experience.

My New Favorite Stool

This new stool is not only comfortable but also sturdy, providing the perfect support for those longer recording sessions. AND it has four sturdy legs, and nothing that could creak or groan.
I’m thrilled to have found something that keeps me feeling great while I bring stories to life.

If you're looking for a solution to improve your recording setup, I highly recommend investing in a good stool. It can make all the difference!

Happy recording!

Comments

DIY Audiobook. A bit of equipment, good advice and lots of patience

I want to create an Audiobook - should I? Ever since the release of book one in the "Cannabis Preacher" series of thrillers, that question has been on my mind. The "Cannabis Preacher" books were quite long. To produce an audiobook from each of the four, including voice actors and audio production with a turn key service, I was looking at around $15,000 per book. Financially, that was a non-starter for me at the time. That amount represented a LOT of books and audiobooks to sell to recover the investment, and I shelved my plan again. With the popularity of the "Magical Papillon" cozy mystery series, I found myself coming back to the growing popularity of audiobooks. I knew that audiobooks could reach a wider audience and catered to busy readers who prefer listening while multitasking. The idea of bringing my characters to life through narration excited me, as it offered a new dimension to my storytelling. The cozy mysteries were only 60-65,000...

Writers, Don’t Be a Slave to Word Count: Let the Story Speak for Itself

As writers, we’ve all asked ourselves that nagging question: “Is my book long enough? Too short? How long should it be?” It’s easy to get caught up in the numbers, obsessing over whether our work fits neatly into arbitrary word count guidelines. But here’s the truth: Word count should never dictate the quality of your story. The heart of storytelling lies in the narrative itself, not in how many pages it spans. The Pressure of Word Count From NaNoWriMo goals to publishing industry standards, writers face constant reminders about “acceptable” word counts. A novel must be 80,000-100,000 words. A novella shouldn’t exceed 40,000. Short stories have their own limits. These guidelines are helpful, but they can also be stifling. We begin to pad scenes unnecessarily or trim meaningful moments just to conform to these benchmarks. I’ve been there. I’ve wrestled with my manuscript, forcing it to stretch or condense to meet expectations. And you know what happened? The authenticity of the...

The Glamorous Life of a Writer (Or, Mostly Just Staring at a Screen)

There’s a persistent rumor floating around that writers live thrilling, adventure-filled lives. Perhaps it’s all the dramatic author portraits on book jackets—moody, windswept, staring off into the distance as if contemplating the fate of the world. Perhaps it’s the movies, where writers are always dashing off to Paris to write the next great novel in a charming café (suspiciously never interrupted by spotty Wi-Fi or overpriced croissants). I hate to break it to you, but real writing? Not quite so cinematic. In reality, my writing days mostly involve staring intensely at my screen, willing the words to appear through sheer force of will. Occasionally, I engage in deep philosophical debates with myself—such as whether my protagonist should turn left or right down a hallway (the fate of the fictional world depends on it). And let’s not forget the highly intellectual process of naming characters, which can take hours because somehow every single name I think of is either the name of ...

Thinkingdog Publishing

Search This Blog