Winter Blues and the Creative Spirit

This winter really kicked my rear end. I don’t know if it was actually colder, longer, and snowier than usual or if it just felt that way, but either way, I felt drained. A kind of low-grade listlessness settled over me, the kind that makes it hard to muster enthusiasm for much of anything. My creativity? It all but hibernated.

I’ve always been a summer person. I thrive when the sun is shining, when I can get outside and move, when nature feels alive and bursting with possibility. There’s something about stepping into warm air that sparks energy in me, making ideas flow as easily as the breeze through the trees. But winter? Winter is different.

The days are short, the nights are long, and the cold seeps into everything. Even with the glow of holiday lights or the beauty of fresh snow, I find myself counting down to spring. I try to embrace the season—hot tea, cozy blankets, the occasional twinkling snowfall—but the truth is, I have to actively fight my way through these three months of darkness every single year.

Some winters, I get by with walks in the crisp air, bundled up beyond recognition. Other years, I lean on books, letting myself escape into stories while I wait for the world outside to thaw. Sometimes, I even trick myself into feeling inspired—lighting candles, playing music, seeking out small joys like the sound of a crackling fire or the way the cold makes my Papillon dog extra snuggly.

And then, there are winters like this one, where I just… exist. Where my creativity curls up somewhere deep inside me and refuses to come out until it senses the first signs of spring. And I have to remind myself: That’s okay too. Creativity isn’t a machine—it ebbs and flows like the seasons. Some years, winter is a time to dig deep and create. Other years, it’s a time to rest, to recharge, to allow myself to feel the slowness instead of fighting it.

But that doesn’t mean it’s easy.

So tell me—what do you do to get through the long, dark months? Do you embrace winter’s stillness, or do you fight against it? I’d love to hear your favorite ways to cope.

Comments

DIY Audiobook. A bit of equipment, good advice and lots of patience

I want to create an Audiobook - should I? Ever since the release of book one in the "Cannabis Preacher" series of thrillers, that question has been on my mind. The "Cannabis Preacher" books were quite long. To produce an audiobook from each of the four, including voice actors and audio production with a turn key service, I was looking at around $15,000 per book. Financially, that was a non-starter for me at the time. That amount represented a LOT of books and audiobooks to sell to recover the investment, and I shelved my plan again. With the popularity of the "Magical Papillon" cozy mystery series, I found myself coming back to the growing popularity of audiobooks. I knew that audiobooks could reach a wider audience and catered to busy readers who prefer listening while multitasking. The idea of bringing my characters to life through narration excited me, as it offered a new dimension to my storytelling. The cozy mysteries were only 60-65,000...

Writers, Don’t Be a Slave to Word Count: Let the Story Speak for Itself

As writers, we’ve all asked ourselves that nagging question: “Is my book long enough? Too short? How long should it be?” It’s easy to get caught up in the numbers, obsessing over whether our work fits neatly into arbitrary word count guidelines. But here’s the truth: Word count should never dictate the quality of your story. The heart of storytelling lies in the narrative itself, not in how many pages it spans. The Pressure of Word Count From NaNoWriMo goals to publishing industry standards, writers face constant reminders about “acceptable” word counts. A novel must be 80,000-100,000 words. A novella shouldn’t exceed 40,000. Short stories have their own limits. These guidelines are helpful, but they can also be stifling. We begin to pad scenes unnecessarily or trim meaningful moments just to conform to these benchmarks. I’ve been there. I’ve wrestled with my manuscript, forcing it to stretch or condense to meet expectations. And you know what happened? The authenticity of the...

The Glamorous Life of a Writer (Or, Mostly Just Staring at a Screen)

There’s a persistent rumor floating around that writers live thrilling, adventure-filled lives. Perhaps it’s all the dramatic author portraits on book jackets—moody, windswept, staring off into the distance as if contemplating the fate of the world. Perhaps it’s the movies, where writers are always dashing off to Paris to write the next great novel in a charming café (suspiciously never interrupted by spotty Wi-Fi or overpriced croissants). I hate to break it to you, but real writing? Not quite so cinematic. In reality, my writing days mostly involve staring intensely at my screen, willing the words to appear through sheer force of will. Occasionally, I engage in deep philosophical debates with myself—such as whether my protagonist should turn left or right down a hallway (the fate of the fictional world depends on it). And let’s not forget the highly intellectual process of naming characters, which can take hours because somehow every single name I think of is either the name of ...

Thinkingdog Publishing

Search This Blog