Skip to main content

The Myth of Overnight Success – Or Why My Hard Drive is a Literary Graveyard"

Let me tell you a little secret about being an author. It’s not glamorous. It’s not all sipping lattes in quaint bookstores while scribbling in leather-bound notebooks. And it’s definitely not an express ticket to fame.

There’s this myth floating around that writing one book—just one—will turn you into the next literary sensation. That you'll hit publish, wake up the next morning with a fan club, a movie deal, and Oprah knocking on your door.

I hate to be the bearer of bad news, but… nope. That’s not how this works. That’s not how any of this works.

The Reality: Years of Writing (and Rewriting… and Crying… and More Writing)

I’ve been writing since I was fourteen. That’s a lot of years spent typing away, dreaming up characters, and questioning my life choices when a plot hole the size of Texas appears out of nowhere. I have thirteen books on Amazon. That sounds impressive, right? But what if I told you that lurking in the depths of my hard drive are twenty-five first drafts that will likely never see the light of day? That’s right. I have an entire library of books that no one—not even my dog—will ever read.

Because writing isn’t about that one brilliant idea that magically turns into a bestseller. It’s about trial and error, learning and improving, pushing past the self-doubt that whispers, maybe you should just take up knitting instead? (I tried, and let’s just say, the knitting world is grateful I chose writing.)

It’s Like Every Other Job—Except You’re Mostly Talking to Imaginary People

Writing is a skill. Like playing an instrument, learning a language, or mastering the delicate art of making a grilled cheese without burning it. (I am still failing at that last one.) You don’t just wake up one day as a full-fledged author. You write. You rewrite. You cringe at your early work. You keep going.

And let me tell you, if you don’t absolutely love it, you will give up. I know, because I have given up—on so many things.

Let’s take a moment to honor my previous career attempts:

  • The time I thought I’d be a fantastic retail worker until I realized people ask way too many questions.

  • The brief but chaotic adventure into office life, which ended when I realized staplers and spreadsheets do not spark joy.

  • The restaurant job where I lasted approximately three weeks before deciding that people get way too emotional about their side orders.

But writing? I always came back to it. Even when it felt impossible. Even when it felt like I was shouting into the void. Even when I stared at my Amazon sales graph and wondered if the numbers were actually going backward.

Because, at the end of the day, I love storytelling. I love creating worlds, crafting characters, and making people feel something—whether that’s joy, suspense, or the deep frustration of yelling at a fictional character for making bad decisions. (Yes, I hear your screams. No, I will not fix it.)

So, What’s the Secret?

The real secret to being a successful author isn’t instant success. It’s perseverance. It’s writing when no one is reading. It’s writing when you think you’re terrible at it. It’s learning, growing, and refusing to quit—because deep down, you know you’re meant to do this.

And maybe, just maybe, one day, I’ll finally have a book that doesn’t just join the literary graveyard on my hard drive.

Until then… I’ll keep writing.


Comments

Popular posts from this blog

DIY Audiobook. A bit of equipment, good advice and lots of patience

I want to create an Audiobook - should I?  Ever since the release of book one in the "Cannabis Preacher" series of thrillers, that question has been on my mind.  The "Cannabis Preacher" books were quite long. To produce an audiobook from each of the four, including voice actors and audio production with a turn key service, I was looking at around $15,000 per book. Financially, that was a non-starter for me at the time. That amount represented a LOT of books and audiobooks to sell to recover the investment, and I shelved my plan again.  With the popularity of the "Magical Papillon" cozy mystery series, I found myself coming back to the growing popularity of audiobooks. I knew that audiobooks could reach a wider audience and catered to busy readers who prefer listening while multitasking. The idea of bringing my characters to life through narration excited me, as it offered a new dimension to my storytelling.  The cozy mysteries were only 60-65,000...

Writers, Don’t Be a Slave to Word Count: Let the Story Speak for Itself

As writers, we’ve all asked ourselves that nagging question: “Is my book long enough? Too short? How long should it be?” It’s easy to get caught up in the numbers, obsessing over whether our work fits neatly into arbitrary word count guidelines. But here’s the truth: Word count should never dictate the quality of your story. The heart of storytelling lies in the narrative itself, not in how many pages it spans. The Pressure of Word Count From NaNoWriMo goals to publishing industry standards, writers face constant reminders about “acceptable” word counts. A novel must be 80,000-100,000 words. A novella shouldn’t exceed 40,000. Short stories have their own limits. These guidelines are helpful, but they can also be stifling. We begin to pad scenes unnecessarily or trim meaningful moments just to conform to these benchmarks. I’ve been there. I’ve wrestled with my manuscript, forcing it to stretch or condense to meet expectations. And you know what happened? The authenticity of the...

The Glamorous Life of a Writer (Or, Mostly Just Staring at a Screen)

There’s a persistent rumor floating around that writers live thrilling, adventure-filled lives. Perhaps it’s all the dramatic author portraits on book jackets—moody, windswept, staring off into the distance as if contemplating the fate of the world. Perhaps it’s the movies, where writers are always dashing off to Paris to write the next great novel in a charming café (suspiciously never interrupted by spotty Wi-Fi or overpriced croissants). I hate to break it to you, but real writing? Not quite so cinematic. In reality, my writing days mostly involve staring intensely at my screen, willing the words to appear through sheer force of will. Occasionally, I engage in deep philosophical debates with myself—such as whether my protagonist should turn left or right down a hallway (the fate of the fictional world depends on it). And let’s not forget the highly intellectual process of naming characters, which can take hours because somehow every single name I think of is either the name of ...