Skip to main content

When Facebook Ads Broke Me (And Other Authorly Misadventures)

You know what’s harder than plotting a cozy mystery where the Papillon always sniffs out the clues before the humans do?
Harder than writing a romantic subplot that doesn’t sound like it belongs in a greeting card from 1992?
Harder than naming five suspects who all have plausible motives, mysterious pasts, and an odd relationship with baked goods?

Facebook ads.

Yes. Facebook ads. I’m not kidding – at all. I have just survived the most excruciating, ridiculous, time-warping four hours of my life trying to program in a few simple ads for my books. I went in optimistic. Hopeful, even. Maybe a little smug. I thought, how hard could it be? (Spoiler alert: that was my first mistake.)

First, Facebook (Meta? ZuckLand? Whatever they’re calling it now) required me to set up not one, but approximately 437 separate accounts, business pages, ad managers, pixel integrations, and possibly a small sacrificial offering to the algorithm gods. I clicked through pages. I filled in boxes. I uploaded cheerful cover images and politely written blurbs. I was trying to give them money. Real money! Actual, spendable, crispy currency!

But Facebook Ads Manager doesn’t want your money. No. It wants your patience, your mental stability, and the last shred of your self-esteem.

At one point, after I had input everything three times, I got the dreaded red exclamation mark. The message?
“There is an error. Please fix it.”
What error? Oh, just this one specific error with your ad name, audience, placement, objective, creative, budget, bidding strategy, or... something.
And where do you fix it? Not telling. Could be anywhere. One of the 15 pages you clicked through. Maybe back on the page you visited before lunch. Maybe a dropdown you didn’t know was a dropdown. Enjoy the scavenger hunt, Sabine.

I asked not one, not two, but THREE search engines for help. I consulted the oracles. Each one gave me a different answer, and each one was entirely wrong. One even told me to “try again later.” I did. It failed again. But with new errors!

By the end, I wasn’t a woman anymore. I was a feral creature, wild-haired, muttering to myself, waving screenshots at the dog like they were evidence in a court case. (“See? SEE?! It says the ad is approved, but it also says the image is ‘not viewable.’ MAKE IT MAKE SENSE!”)

When I finally wrangled the dragon – through sheer persistence, dumb luck, and possibly witchcraft – I staggered away from the computer and immediately poured a stiff drink. I don’t remember what I drank, but I do remember toasting my laptop like it was a worthy opponent. “To you, Facebook. You won this round. But I ran the ad. I WIN.”

So if you see one of my books pop up in your Facebook feed sometime soon – say a little prayer for the blood, sweat, and tear-soaked pixels that made it happen. Maybe even click it. Just to make it feel worth it.

And to Facebook: if you’re listening – I’m trying to spend money here! Could you maybe meet me halfway? Explain what you want, give me a hand, and perhaps not hide the errors behind a labyrinth of sadness? Just a thought.

In the meantime, I’ll be over here, writing the next cozy mystery – because compared to Facebook Ads, solving a fictional murder is a walk in the park.

With a Papillon.

Comments

Popular posts from this blog

DIY Audiobook. A bit of equipment, good advice and lots of patience

I want to create an Audiobook - should I?  Ever since the release of book one in the "Cannabis Preacher" series of thrillers, that question has been on my mind.  The "Cannabis Preacher" books were quite long. To produce an audiobook from each of the four, including voice actors and audio production with a turn key service, I was looking at around $15,000 per book. Financially, that was a non-starter for me at the time. That amount represented a LOT of books and audiobooks to sell to recover the investment, and I shelved my plan again.  With the popularity of the "Magical Papillon" cozy mystery series, I found myself coming back to the growing popularity of audiobooks. I knew that audiobooks could reach a wider audience and catered to busy readers who prefer listening while multitasking. The idea of bringing my characters to life through narration excited me, as it offered a new dimension to my storytelling.  The cozy mysteries were only 60-65,000...

Writers, Don’t Be a Slave to Word Count: Let the Story Speak for Itself

As writers, we’ve all asked ourselves that nagging question: “Is my book long enough? Too short? How long should it be?” It’s easy to get caught up in the numbers, obsessing over whether our work fits neatly into arbitrary word count guidelines. But here’s the truth: Word count should never dictate the quality of your story. The heart of storytelling lies in the narrative itself, not in how many pages it spans. The Pressure of Word Count From NaNoWriMo goals to publishing industry standards, writers face constant reminders about “acceptable” word counts. A novel must be 80,000-100,000 words. A novella shouldn’t exceed 40,000. Short stories have their own limits. These guidelines are helpful, but they can also be stifling. We begin to pad scenes unnecessarily or trim meaningful moments just to conform to these benchmarks. I’ve been there. I’ve wrestled with my manuscript, forcing it to stretch or condense to meet expectations. And you know what happened? The authenticity of the...

The Glamorous Life of a Writer (Or, Mostly Just Staring at a Screen)

There’s a persistent rumor floating around that writers live thrilling, adventure-filled lives. Perhaps it’s all the dramatic author portraits on book jackets—moody, windswept, staring off into the distance as if contemplating the fate of the world. Perhaps it’s the movies, where writers are always dashing off to Paris to write the next great novel in a charming café (suspiciously never interrupted by spotty Wi-Fi or overpriced croissants). I hate to break it to you, but real writing? Not quite so cinematic. In reality, my writing days mostly involve staring intensely at my screen, willing the words to appear through sheer force of will. Occasionally, I engage in deep philosophical debates with myself—such as whether my protagonist should turn left or right down a hallway (the fate of the fictional world depends on it). And let’s not forget the highly intellectual process of naming characters, which can take hours because somehow every single name I think of is either the name of ...