Skip to main content

Making Friends with Structure - Reluctantly

Structure. Just saying it out loud feels… mildly offensive. Like a distant relative showing up uninvited with a casserole. The kind of thing I absolutely rebelled against when I was seventeen. “Structure? Pfft. I don’t need no structure!” I shouted, probably in front of a mirror, probably with eyeliner smudged from some dramatic emotional revelation about freedom and individuality.

And yet… here we are. Seventeen, eighteen… I’ve lost count of how many books I’ve written. And as I click open the latest Word document, my gut does a little shiver of recognition. Structure is actually… useful.

There, I said it. Useful. Shocking, I know.

Structure keeps you on track. It prevents that horrifying moment where you sit at your keyboard, staring blankly at the blinking cursor, muttering, “How does this story continue now?” It’s like the invisible hand holding a leash on your runaway imagination, and for once, it’s a leash you don’t entirely mind.

But the real magic? Structure tells you when a scene is getting way too long, no matter how brilliant you think your dialogue about the weather or the cat’s dramatic stare is. It saves you from dreaded editor notes: “Too long, slows down the action, condense these scenes…”

Condense. There’s a word I never thought I’d hear without twitching. I hate condensing. It hardly ever works. At least, not for me. But here’s the revelation: with structure, it doesn’t have to be about cutting the magic—it’s about channeling it. You get to keep the sparkle, but without the runaway chaos.

So yes, dear friends, I am reluctantly—very reluctantly—making friends with structure. Because if there’s anything I’ve learned, it’s that magic and order aren’t enemies. They’re awkward dance partners, sometimes stepping on each other’s toes, but when they get in rhythm? Pure gold.

Comments

Popular posts from this blog

Writers, Don’t Be a Slave to Word Count: Let the Story Speak for Itself

As writers, we’ve all asked ourselves that nagging question: “Is my book long enough? Too short? How long should it be?” It’s easy to get caught up in the numbers, obsessing over whether our work fits neatly into arbitrary word count guidelines. But here’s the truth: Word count should never dictate the quality of your story. The heart of storytelling lies in the narrative itself, not in how many pages it spans. The Pressure of Word Count From NaNoWriMo goals to publishing industry standards, writers face constant reminders about “acceptable” word counts. A novel must be 80,000-100,000 words. A novella shouldn’t exceed 40,000. Short stories have their own limits. These guidelines are helpful, but they can also be stifling. We begin to pad scenes unnecessarily or trim meaningful moments just to conform to these benchmarks. I’ve been there. I’ve wrestled with my manuscript, forcing it to stretch or condense to meet expectations. And you know what happened? The authenticity of the...

The Glamorous Life of a Writer (Or, Mostly Just Staring at a Screen)

There’s a persistent rumor floating around that writers live thrilling, adventure-filled lives. Perhaps it’s all the dramatic author portraits on book jackets—moody, windswept, staring off into the distance as if contemplating the fate of the world. Perhaps it’s the movies, where writers are always dashing off to Paris to write the next great novel in a charming café (suspiciously never interrupted by spotty Wi-Fi or overpriced croissants). I hate to break it to you, but real writing? Not quite so cinematic. In reality, my writing days mostly involve staring intensely at my screen, willing the words to appear through sheer force of will. Occasionally, I engage in deep philosophical debates with myself—such as whether my protagonist should turn left or right down a hallway (the fate of the fictional world depends on it). And let’s not forget the highly intellectual process of naming characters, which can take hours because somehow every single name I think of is either the name of ...

Winter Blues and the Creative Spirit

This winter really kicked my rear end . I don’t know if it was actually colder, longer, and snowier than usual or if it just felt that way, but either way, I felt drained. A kind of low-grade listlessness settled over me, the kind that makes it hard to muster enthusiasm for much of anything. My creativity? It all but hibernated. I’ve always been a summer person. I thrive when the sun is shining, when I can get outside and move, when nature feels alive and bursting with possibility. There’s something about stepping into warm air that sparks energy in me, making ideas flow as easily as the breeze through the trees. But winter? Winter is different. The days are short, the nights are long, and the cold seeps into everything. Even with the glow of holiday lights or the beauty of fresh snow, I find myself counting down to spring. I try to embrace the season—hot tea, cozy blankets, the occasional twinkling snowfall—but the truth is, I have to actively fight my way through these three months...