Skip to main content

Why I Keep Coming Back to Cozy Mysteries (Even After Writing Thrillers)

There comes a time in every writer’s life when they sit down with a cup of coffee (or let’s be honest, something stronger) and ask themselves: Why do I do this to myself?

I’ve written thrillers. I’ve written romance. I’ve written thrillers again because apparently, I enjoy stress. But no matter where my writing adventures take me, I always—always—come back to cozy mysteries. And you know what? They’re my most successful books, too.

So, why cozies?

Simple. Have you looked outside lately? The world is one sigh away from an absolute meltdown. I mean, it’s a lot. Every time I scroll the news, I have to resist the urge to grab my dog and escape to a remote island where WiFi doesn’t exist. But instead of moving to the middle of nowhere, I write cozy mysteries. Why? Because I need to believe that somewhere, somehow, a kinder world still exists.

A world where people bake pies instead of doom-scrolling. A world where a cup of tea and a bit of small-town gossip can actually solve a crime. A world where the murder rate is concerningly high for a charming little town, but—and this is important—it always gets solved. Every time.

I need to believe in a world where people look out for each other. Where the town’s quirky librarian, the over-caffeinated bookstore owner, and the retired detective with a passion for crossword puzzles all band together to solve a mystery. I need to believe that love and kindness are still powerful forces, that justice prevails, and that a talking Papillon dog (or at least one with suspiciously good instincts) can help crack a case wide open.

Maybe that makes me a hopeless optimist. Maybe that makes me a doofus. But I’ll tell you what—I’ll take my doofus-ness with a side of fresh-baked cookies and a charming main street where everyone knows your name. Because even though my cozy mysteries have murder, they also have something more important: heart. And in times like these, that’s the kind of world I want to live in.

So, I’ll keep writing cozies. I’ll keep believing in a world where a small-town sleuth, a mischievous dog, and a tight-knit community can outsmart any villain. And if that makes me a dreamer? Well, so be it.

At least my fictional town has excellent coffee.

Comments

Popular posts from this blog

DIY Audiobook. A bit of equipment, good advice and lots of patience

I want to create an Audiobook - should I?  Ever since the release of book one in the "Cannabis Preacher" series of thrillers, that question has been on my mind.  The "Cannabis Preacher" books were quite long. To produce an audiobook from each of the four, including voice actors and audio production with a turn key service, I was looking at around $15,000 per book. Financially, that was a non-starter for me at the time. That amount represented a LOT of books and audiobooks to sell to recover the investment, and I shelved my plan again.  With the popularity of the "Magical Papillon" cozy mystery series, I found myself coming back to the growing popularity of audiobooks. I knew that audiobooks could reach a wider audience and catered to busy readers who prefer listening while multitasking. The idea of bringing my characters to life through narration excited me, as it offered a new dimension to my storytelling.  The cozy mysteries were only 60-65,000...

The Glamorous Life of a Writer (Or, Mostly Just Staring at a Screen)

There’s a persistent rumor floating around that writers live thrilling, adventure-filled lives. Perhaps it’s all the dramatic author portraits on book jackets—moody, windswept, staring off into the distance as if contemplating the fate of the world. Perhaps it’s the movies, where writers are always dashing off to Paris to write the next great novel in a charming café (suspiciously never interrupted by spotty Wi-Fi or overpriced croissants). I hate to break it to you, but real writing? Not quite so cinematic. In reality, my writing days mostly involve staring intensely at my screen, willing the words to appear through sheer force of will. Occasionally, I engage in deep philosophical debates with myself—such as whether my protagonist should turn left or right down a hallway (the fate of the fictional world depends on it). And let’s not forget the highly intellectual process of naming characters, which can take hours because somehow every single name I think of is either the name of ...

Writers, Don’t Be a Slave to Word Count: Let the Story Speak for Itself

As writers, we’ve all asked ourselves that nagging question: “Is my book long enough? Too short? How long should it be?” It’s easy to get caught up in the numbers, obsessing over whether our work fits neatly into arbitrary word count guidelines. But here’s the truth: Word count should never dictate the quality of your story. The heart of storytelling lies in the narrative itself, not in how many pages it spans. The Pressure of Word Count From NaNoWriMo goals to publishing industry standards, writers face constant reminders about “acceptable” word counts. A novel must be 80,000-100,000 words. A novella shouldn’t exceed 40,000. Short stories have their own limits. These guidelines are helpful, but they can also be stifling. We begin to pad scenes unnecessarily or trim meaningful moments just to conform to these benchmarks. I’ve been there. I’ve wrestled with my manuscript, forcing it to stretch or condense to meet expectations. And you know what happened? The authenticity of the...