Skip to main content

Mystery Writer? Pfft. I’m the Real Brains Behind the Books – Confessions of Pixie the Papillon

Oh hello.

You're here for the author, aren’t you? Sarah something? Writes those cozy mysteries where people drink tea, find dead bodies, and somehow still have time to bake cookies? Yeah, her. Listen, I’m not saying she’s bad at it. I’m just saying… without me, there’d be a lot more plot holes and a lot fewer ghosts, magical clues, or talking dogs.

Let me introduce myself properly.

I’m Pixie, the Papillon. Aka the real power behind the pen. Aka Editor-in-Chief at Thinkingdog Publishing. Aka the Reason She Ever Finishes a Book.

You think she sits down at her desk, lights a candle, and gracefully types out a mystery masterpiece?
No.
She sits in pajamas that may or may not be from last Tuesday, holding a coffee cup like it’s the Holy Grail, muttering things like “Wait, did I already kill off the gardener?” and “Why is there a duck in this chapter?”

That’s where I come in.

The moment she veers too far off track—like, “Let’s make the killer a time-traveling pigeon farmer from the 1600s”—I bark. One sharp bark. Boom. Plot corrected. You’re welcome.

Do you think she notices the subtle sound of ghostly whispers? No. But I do.
Does she sniff the wind and know a secret lies buried beneath the rosebush? Nope.
Does she know how to magically summon a clue with nothing but a tail wag and a look of judgment? Please. Amateur.

Also, she never lets me write my own books. Apparently, publishers are “speciesist” and require “humans” on the byline. A tragedy. I've pitched “The Bark Side of Murder” at least seven times. Nada. But don’t worry—I’ve got a blog now, and I’m not above going viral.

Let’s talk about magic.

She treats magic like a plot device. I treat it like a Tuesday. That glowing mist in the attic? I saw it first. The floating spoon at the café? Definitely not a draft, Karen.

Honestly, I don't want to say she’d be writing thrillers about accounting spreadsheets without me… but she’d be writing thrillers about accounting spreadsheets without me.

So yes, she writes the books. She gets the credit. She smiles at signings while I sit under the table like a furry little unpaid intern. But now the truth is out.



Behind every successful mystery author is a small, scrappy dog with ears like satellite dishes and the judgment of a thousand librarians.

So next time you enjoy one of her cozy mysteries, remember:
The twist you didn’t see coming?
The clue buried in Chapter Four?
The mysterious cat that turns out to be a ghost librarian?

That was all me.

Now if you’ll excuse me, I need to supervise Chapter Seven. She’s trying to make a raccoon the villain again, and it’s… not going well.

Sniffs air dramatically
Yep. Smells like rewrite.

Paws and page-turners,
Pixie 🐾
(Crime-Sniffing Canine Extraordinaire)

Comments

Popular posts from this blog

Writers, Don’t Be a Slave to Word Count: Let the Story Speak for Itself

As writers, we’ve all asked ourselves that nagging question: “Is my book long enough? Too short? How long should it be?” It’s easy to get caught up in the numbers, obsessing over whether our work fits neatly into arbitrary word count guidelines. But here’s the truth: Word count should never dictate the quality of your story. The heart of storytelling lies in the narrative itself, not in how many pages it spans. The Pressure of Word Count From NaNoWriMo goals to publishing industry standards, writers face constant reminders about “acceptable” word counts. A novel must be 80,000-100,000 words. A novella shouldn’t exceed 40,000. Short stories have their own limits. These guidelines are helpful, but they can also be stifling. We begin to pad scenes unnecessarily or trim meaningful moments just to conform to these benchmarks. I’ve been there. I’ve wrestled with my manuscript, forcing it to stretch or condense to meet expectations. And you know what happened? The authenticity of the...

The Glamorous Life of a Writer (Or, Mostly Just Staring at a Screen)

There’s a persistent rumor floating around that writers live thrilling, adventure-filled lives. Perhaps it’s all the dramatic author portraits on book jackets—moody, windswept, staring off into the distance as if contemplating the fate of the world. Perhaps it’s the movies, where writers are always dashing off to Paris to write the next great novel in a charming café (suspiciously never interrupted by spotty Wi-Fi or overpriced croissants). I hate to break it to you, but real writing? Not quite so cinematic. In reality, my writing days mostly involve staring intensely at my screen, willing the words to appear through sheer force of will. Occasionally, I engage in deep philosophical debates with myself—such as whether my protagonist should turn left or right down a hallway (the fate of the fictional world depends on it). And let’s not forget the highly intellectual process of naming characters, which can take hours because somehow every single name I think of is either the name of ...

Winter Blues and the Creative Spirit

This winter really kicked my rear end . I don’t know if it was actually colder, longer, and snowier than usual or if it just felt that way, but either way, I felt drained. A kind of low-grade listlessness settled over me, the kind that makes it hard to muster enthusiasm for much of anything. My creativity? It all but hibernated. I’ve always been a summer person. I thrive when the sun is shining, when I can get outside and move, when nature feels alive and bursting with possibility. There’s something about stepping into warm air that sparks energy in me, making ideas flow as easily as the breeze through the trees. But winter? Winter is different. The days are short, the nights are long, and the cold seeps into everything. Even with the glow of holiday lights or the beauty of fresh snow, I find myself counting down to spring. I try to embrace the season—hot tea, cozy blankets, the occasional twinkling snowfall—but the truth is, I have to actively fight my way through these three months...