Skip to main content

No, I’m Not Talking to You—I’m Rehearsing Dialogue!

So - here we are.... 

It’s a peaceful afternoon. Birds are chirping. The dog is asleep. A mug of coffee cools beside my keyboard. I’m sitting at my desk, deeply focused on crafting the next scene in my cozy mystery novel. My characters are in the middle of a heated debate—someone has been murdered, after all—and things are getting dramatic.

Suddenly, my husband peeks into the room and says, “Sorry, did you say something?”

Oh no, dear. I wasn’t talking to you. I was talking to myself. Loudly. With feeling. And perhaps a bit of a British accent.

This, my friends, is where the writerly madness truly shines.

Now before anyone calls for a wellness check, allow me to explain. I’m not losing my marbles (though I admit they do rattle suspiciously from time to time). I’m just... rehearsing.

Because when you write cozy mysteries filled with grumpy detectives, nosy neighbors, flustered suspects, and talking Papillon dogs (yes, Pixie has opinions and she’s not afraid to share them), you don’t just write the dialogue. You live it.

Yes, I act it out.

Alone.

In my office.

And sometimes in public.

Let’s just say that mouthing character conversations while walking the dog is an excellent way to guarantee six feet of personal space. People tend to cross the street when they see you gesturing wildly and muttering, “You’ll never get away with this, you charming fraud!” to absolutely no one.

But here’s the thing: this is part of the job. I need to make sure that sarcastic sidekick lands her punchline. That the detective’s grumble has just the right amount of gravel. That the villain sounds villainous but still maybe worth redeeming. It’s all about rhythm and tone and timing—and the best way to know if dialogue works is to say it out loud.

So if you ever see me pacing the sidewalk, flapping my hands like an angry librarian while whispering about poison in the pudding... just know I’m not unwell. I’m just on deadline.

Writers are actors, directors, and voiceover artists—all rolled into one, minus the budget and with a lot more coffee.

And yes, I talk to myself.

Constantly.

But the good news? I always agree with me. Mostly.

So the next time someone catches you chatting to yourself mid-grocery store run, just straighten your spine, nod sagely, and say, “Dialogue check. It’s a writer thing.”

They won’t understand. But your characters will.

 

Comments

Popular posts from this blog

Writers, Don’t Be a Slave to Word Count: Let the Story Speak for Itself

As writers, we’ve all asked ourselves that nagging question: “Is my book long enough? Too short? How long should it be?” It’s easy to get caught up in the numbers, obsessing over whether our work fits neatly into arbitrary word count guidelines. But here’s the truth: Word count should never dictate the quality of your story. The heart of storytelling lies in the narrative itself, not in how many pages it spans. The Pressure of Word Count From NaNoWriMo goals to publishing industry standards, writers face constant reminders about “acceptable” word counts. A novel must be 80,000-100,000 words. A novella shouldn’t exceed 40,000. Short stories have their own limits. These guidelines are helpful, but they can also be stifling. We begin to pad scenes unnecessarily or trim meaningful moments just to conform to these benchmarks. I’ve been there. I’ve wrestled with my manuscript, forcing it to stretch or condense to meet expectations. And you know what happened? The authenticity of the...

The Glamorous Life of a Writer (Or, Mostly Just Staring at a Screen)

There’s a persistent rumor floating around that writers live thrilling, adventure-filled lives. Perhaps it’s all the dramatic author portraits on book jackets—moody, windswept, staring off into the distance as if contemplating the fate of the world. Perhaps it’s the movies, where writers are always dashing off to Paris to write the next great novel in a charming café (suspiciously never interrupted by spotty Wi-Fi or overpriced croissants). I hate to break it to you, but real writing? Not quite so cinematic. In reality, my writing days mostly involve staring intensely at my screen, willing the words to appear through sheer force of will. Occasionally, I engage in deep philosophical debates with myself—such as whether my protagonist should turn left or right down a hallway (the fate of the fictional world depends on it). And let’s not forget the highly intellectual process of naming characters, which can take hours because somehow every single name I think of is either the name of ...

Picking a Favorite Character? Impossible!

  The question comes up all the time. It’s inevitable. Like taxes. Or discovering that you’ve been walking around with spinach in your teeth all day. "Who’s your favorite character?" And I should have a definitive answer, right? Like, boom—here’s my favorite! Neatly tied up, no hesitation, no emotional turmoil, no staring off into the middle distance questioning my life choices. But no. That is not how this works. That is not how any of this works. My knee-jerk reaction is always Pixie . Pixie, my telepathic, sass-infused, magical Papillon from the Magical Papillon Mysteries . How could I not pick her? She’s got it all—wit, charm, fluffy ears, and, most importantly, magic. I mean, who wouldn’t want a touch of magic? I can barely find my car keys half the time. Pixie would just twitch an ear, and boom—problem solved. And she’s funny. Not just “accidentally amusing” funny. No, she’s deliberately funny. She says the things we all wish we could say, with perfect comed...