Skip to main content

Title: The Art of Walking Very, Very Slowly (Or: How My Dog Solves My Plot Problems)

There are two kinds of walks.

There are the determined, fitness-tracker-beeping, “we are MAKING TIME” walks.

And then there are the walks you take when you share your life with a small, fluffy creature who believes every pile of leaves may contain buried treasure, secrets, or possibly a criminal mastermind.

When you live with a dog — or are owned by one, which feels more accurate — you walk. A lot. Blueberry, my Papillon with the investigative spirit of a seasoned detective, does not “exercise walk.” She does not march. She does not power-stride.

She stops.

She sniffs.

She wanders.

She conducts what I can only assume are highly classified forensic investigations on twigs.

Every leaf pile is suspicious. Every rustle is worth examining. Every breeze carries breaking news.

And so we amble.

Very slowly.

At first, years ago, I would try to hurry her along. Come on, Blueberry. Let’s go. We have things to do. Deadlines. Laundry. Emails. Imaginary murders to solve.

But Blueberry is unmoved by productivity culture.

She lives in the moment. Specifically, in the moment located under that bush over there.

And somewhere along the way, I stopped trying to rush her.

Because something started happening.

While she was inspecting the hedge like she was about to file a report, my mind would wander. Not in a frantic way. Not in a “solve it now” way. Just… wander.

Why did that character react like that?

What is she not telling us?

Why did I choose that setting?

What if the bookstore owner knows more than she thinks she does?

The questions drifted in softly, without pressure. Answers followed just as quietly.

Solutions to plot knots that refused to untangle at my desk would simply… appear.

A motive would click into place.

A backstory would deepen.

A tiny emotional thread I hadn’t even realized was loose would suddenly tie itself neatly together.

And I would stand there, holding a leash, staring into the middle distance while Blueberry sniffed a rock like it owed her money.

The truth is, some ideas will not show up when you’re staring at a blinking cursor.

Some answers are shy. They don’t respond to being chased.

They show up when you slow down.

When you are not demanding brilliance.

When you are simply walking — or rather, pausing — through the world.

We have this cultural obsession with speed. Faster results. Faster progress. Faster everything. As though life is a race we forgot to train for.

But creativity doesn’t thrive in a sprint.

It wanders.

It meanders.

It sniffs the metaphorical leaf piles.

It gets distracted by birds.

Some of the most important breakthroughs in my cozy mysteries have arrived not at my desk, not in front of a neatly outlined chapter plan, but halfway down the sidewalk while my tiny detective was conducting neighborhood surveillance.

Those slow walks remind me that not everything needs to be driven by purpose.

Not every minute needs to be optimized.

Not every pause is wasted time.

Sometimes, when you’re not rushing, some of the best things show up.

A plot twist.

A character revelation.

A quiet sense of clarity.

Or simply the realization that this — this slow ambling through the day with a small dog who believes she runs the operation — is actually the point.

Blueberry will never be a marathon runner.

But she is an exceptional creative consultant.

And I have learned that when she stops to sniff, I should probably stop and listen.

You never know what’s about to reveal itself from under a pile of leaves.

Comments

Popular posts from this blog

The Absolute Madness of Naming Characters

  Let’s talk about one of the most ridiculous struggles of writing a book. No, I’m not talking about the part where you stare at the blinking cursor like it personally insulted your ancestors. I’m talking about naming characters. It should be easy, right? Just slap a name on them and move on? Oh, my sweet summer child. If only. See, naming a character is like naming your kid—except worse, because nobody is going to complain if your kid and their cousin both end up being named Liam. But if your main villain is named Liam and you accidentally give the quirky coffee shop owner in book three the same name? Cue the existential crisis. Let’s walk through the madness. The Overthinking Spiral of Doom You start writing, and there’s that moment: your brand-new character walks onto the page, full of potential. All they need is a name. A simple name. Something strong, something fitting, something— Oh no. Nothing sounds right. This one is too complicated. That one is too simple. ...

A Labour-Free Labour Day? Yes, Please!

Hello and Happy Labour Day to all my lovely North American readers! Now, isn’t it just a little bit ironic that a holiday with the word labour baked right into the name is universally observed by doing absolutely none of it? Zero. Zilch. Unless, of course, you count the rigorous work of flipping burgers, casting fishing lines, and chasing wasps away from the potato salad. Then yes—we are a nation of highly skilled, recreational labourers. Olympic-level loungers, really. This year, I’m wholeheartedly leaning into the contradiction. After an exceptionally busy summer filled with writing deadlines, creative misadventures, and one unfortunate incident involving a Papillon, a pie, and a squirrel (don’t ask—Pixie is still refusing to discuss it), I’m embracing the art of not doing much at all. My Labour Day weekend plans include: Reclining in my favourite chair like a dramatic Victorian heroine recovering from a fainting spell. Watching the endless activity in the harbour just outs...

Am I Perfect? Are You Kidding Me?!

Well, folks, let’s talk about something we all love to pretend we’re not – imperfection .  If there’s one thing I’ve learned on this wild ride of being an author, it’s that I am definitely not perfect . And you know what? That’s perfectly fine! (And if anyone tells you they’re perfect, just remind them that we’re all human—unless they’re a robot, in which case, we need to talk about your AI skills.) You see, every time I look back at my earlier works, I cringe just a little. Okay, maybe a lot . Plotholes that I patched over with the kind of flimsy excuses I’d never accept from my kids on homework. There are commas that should be in the witness protection program, hiding far away from the sentence they’re supposed to be part of. And some of the phrases? Oh boy. If I could go back in time, I’d sit myself down and say, “Honey, that line? It’s not even funny, it’s just… confusing.” But here’s the thing – I wrote this . It’s my work, my journey, my creation. And that’s something t...