Skip to main content

Opening the Door to Ideas - even When the Cursor is Mocking You

Some days, I have no idea what to write. I sit there, staring at the cursor like it’s personally offended me. That blinking little line just dares me to type something worthwhile, but instead, I find myself thinking, “Well, this is awkward.” I think that’s part of the definition of being a writer. If you’ve never argued with your own cursor, are you even in the club?

Lately, I’ve found a trick. I open a fresh document and type something silly, along the lines of, “Well here we go again—I have no idea how to finish this scene. Could be this happens, could be that happens…” And then—like magic—I’m writing again. Ideas come when you open a door for them. You just have to unlock it, fling it wide, and let them stroll in, preferably carrying snacks.

Way too many years ago (and we’re not counting, thank you very much), I was forced to write every second I could. On the train, scribbling into a notebook balanced on my knee. On scraps of paper when the boss wasn’t looking. On receipts, napkins, the back of envelopes—if there was white space, I was filling it. Maybe that’s why it seemed easier then. Necessity leaves no room for the luxury of staring down a blinking cursor.

So here’s the plan: let’s stop treating ideas like shy cats and more like nosy neighbors. Open the door, and see if they walk through. Some days they’ll march in with a full three-act structure. Some days they’ll wander in, knock over a vase, and leave muddy footprints all over your nice rug. But at least they showed up.

Spoiler alert: this post? It was never really about writer’s block. It was just me opening the door, and look what happened—we ended up here, together, with you reading this. And that feels like a very good idea indeed.

Comments

Popular posts from this blog

Writers, Don’t Be a Slave to Word Count: Let the Story Speak for Itself

As writers, we’ve all asked ourselves that nagging question: “Is my book long enough? Too short? How long should it be?” It’s easy to get caught up in the numbers, obsessing over whether our work fits neatly into arbitrary word count guidelines. But here’s the truth: Word count should never dictate the quality of your story. The heart of storytelling lies in the narrative itself, not in how many pages it spans. The Pressure of Word Count From NaNoWriMo goals to publishing industry standards, writers face constant reminders about “acceptable” word counts. A novel must be 80,000-100,000 words. A novella shouldn’t exceed 40,000. Short stories have their own limits. These guidelines are helpful, but they can also be stifling. We begin to pad scenes unnecessarily or trim meaningful moments just to conform to these benchmarks. I’ve been there. I’ve wrestled with my manuscript, forcing it to stretch or condense to meet expectations. And you know what happened? The authenticity of the...

The Glamorous Life of a Writer (Or, Mostly Just Staring at a Screen)

There’s a persistent rumor floating around that writers live thrilling, adventure-filled lives. Perhaps it’s all the dramatic author portraits on book jackets—moody, windswept, staring off into the distance as if contemplating the fate of the world. Perhaps it’s the movies, where writers are always dashing off to Paris to write the next great novel in a charming café (suspiciously never interrupted by spotty Wi-Fi or overpriced croissants). I hate to break it to you, but real writing? Not quite so cinematic. In reality, my writing days mostly involve staring intensely at my screen, willing the words to appear through sheer force of will. Occasionally, I engage in deep philosophical debates with myself—such as whether my protagonist should turn left or right down a hallway (the fate of the fictional world depends on it). And let’s not forget the highly intellectual process of naming characters, which can take hours because somehow every single name I think of is either the name of ...

Picking a Favorite Character? Impossible!

  The question comes up all the time. It’s inevitable. Like taxes. Or discovering that you’ve been walking around with spinach in your teeth all day. "Who’s your favorite character?" And I should have a definitive answer, right? Like, boom—here’s my favorite! Neatly tied up, no hesitation, no emotional turmoil, no staring off into the middle distance questioning my life choices. But no. That is not how this works. That is not how any of this works. My knee-jerk reaction is always Pixie . Pixie, my telepathic, sass-infused, magical Papillon from the Magical Papillon Mysteries . How could I not pick her? She’s got it all—wit, charm, fluffy ears, and, most importantly, magic. I mean, who wouldn’t want a touch of magic? I can barely find my car keys half the time. Pixie would just twitch an ear, and boom—problem solved. And she’s funny. Not just “accidentally amusing” funny. No, she’s deliberately funny. She says the things we all wish we could say, with perfect comed...