Skip to main content

A Love Letter to the Animals Who Steal the Scene (and Our Hearts)

There is a moment in almost every good story when things get a little heavy. Emotions tighten. Stakes rise. Someone is making a questionable life choice. And then—right on cue—an animal wanders in and quietly saves the scene without even trying.

That is not an accident.

This is a love letter to animal companions in fiction and real life. The scene-stealers. The grounding forces. The ones who soften the hard moments and make the joyful ones feel truer. This is for Pixie. For Blueberry. And for every dog you’ve ever loved who somehow knew exactly when to sit beside you and when to sass you into better decisions.

Pixie, my darling Pixie, deserves her own paragraph and possibly her own throne. She is enchanted and magical, yes—but she is also a sassy diva of the highest order. The kind who will comment on your life choices with devastating accuracy while still being absolutely, unquestionably, ride-or-die loyal. She is fabulous without apology. Supportive without being soft. Sarcastic without being cruel. Frankly, we would all like to be like Pixie, wouldn’t we? Observing the chaos, offering commentary, loving fiercely, and never dimming our sparkle for anyone.

What readers often don’t realize is that I don’t have to work very hard to make Pixie feel real. I’m not inventing her personality from scratch. Animals are already like this. They arrive fully formed. There is no pretense in them. No fake kindness, no performative loyalty, no hidden agenda. What you see is what you get—and what you get is usually everything.

That honesty is gold for a storyteller.

As a cozy mystery author, I write about murder, secrets, grief, and the complicated messiness of being human. That could get dark quickly if it weren’t for the companions padding quietly through the pages, anchoring the story to something warm and true. Animals ground stories because they ground us. They remind us that love can be simple, loyalty can be uncomplicated, and presence can be enough.

And then there’s Blueberry.

Blueberry, my real-life Papillon and constant supervisor, is proof that fiction barely scratches the surface. She has opinions. Strong ones. She knows when I’ve been at my desk too long and when I’m avoiding a difficult chapter. She knows when I’m sad before I do, and she celebrates small victories like they’re Nobel Prize–worthy. Blueberry doesn’t care about deadlines or algorithms or plot twists. She cares about walks, snacks, and whether I am emotionally stable enough to deserve her company at that exact moment.

That energy—the unfiltered, deeply observant, quietly hilarious presence of animals—is what readers connect to. It’s why animal sidekicks in cozy mysteries feel so comforting. They don’t judge. They don’t rush the story. They exist fully in the moment, reminding everyone else to do the same.

Animals also steal scenes because they don’t try to steal scenes. They simply are. A tilted head. A perfectly timed sigh. A look that says, “I love you, but this is on you.” That authenticity cuts through tension and lands straight in the reader’s heart.

Every dog you’ve ever loved lives somewhere in these pages. The one who waited by the door. The one who knew your routines better than you did. The one who stayed close when the world felt too loud. Readers recognize that truth instantly, because they’ve lived it.

So when Pixie offers a snarky observation, or Blueberry inserts herself into my writing life with zero shame, it works because it’s real. Animals don’t need to be written louder to be memorable. They already know how to take up space in exactly the right way.

This is why they matter in stories. This is why they matter in life. They remind us to stay human. To stay present. To love without a script.

And if they happen to steal the spotlight while doing it? Honestly, we should let them. They earned it.

Comments

Popular posts from this blog

The Absolute Madness of Naming Characters

  Let’s talk about one of the most ridiculous struggles of writing a book. No, I’m not talking about the part where you stare at the blinking cursor like it personally insulted your ancestors. I’m talking about naming characters. It should be easy, right? Just slap a name on them and move on? Oh, my sweet summer child. If only. See, naming a character is like naming your kid—except worse, because nobody is going to complain if your kid and their cousin both end up being named Liam. But if your main villain is named Liam and you accidentally give the quirky coffee shop owner in book three the same name? Cue the existential crisis. Let’s walk through the madness. The Overthinking Spiral of Doom You start writing, and there’s that moment: your brand-new character walks onto the page, full of potential. All they need is a name. A simple name. Something strong, something fitting, something— Oh no. Nothing sounds right. This one is too complicated. That one is too simple. ...

Stories Are Everywhere: The Writer’s Endless Inspiration

As a writer, one of the most common questions I’m asked is, “How do you come up with your stories?” It’s a question that often makes me smile because the answer is as simple as it is profound: stories are everywhere. Inspiration doesn’t always strike in grand, dramatic moments. More often than not, it emerges quietly, weaving its way into the fabric of everyday life. Conversations with friends, the sights and sounds of a bustling city, or even the stillness of a room can spark the seed of an idea. Writers aren’t just storytellers; we’re observers, collecting fragments of life and spinning them into tales. Let me share a recent example of how a simple evening turned into the genesis of a new story idea. Over two perfectly crafted negronis, I was discussing the schedule for an upcoming event with a friend. Their house, a treasure trove of artwork, surrounded us. Every piece of art seemed to hum with a story of its own. Midway through the second drink, I remarked, “One day, someb...

DIY Audiobook. A bit of equipment, good advice and lots of patience

I want to create an Audiobook - should I?  Ever since the release of book one in the "Cannabis Preacher" series of thrillers, that question has been on my mind.  The "Cannabis Preacher" books were quite long. To produce an audiobook from each of the four, including voice actors and audio production with a turn key service, I was looking at around $15,000 per book. Financially, that was a non-starter for me at the time. That amount represented a LOT of books and audiobooks to sell to recover the investment, and I shelved my plan again.  With the popularity of the "Magical Papillon" cozy mystery series, I found myself coming back to the growing popularity of audiobooks. I knew that audiobooks could reach a wider audience and catered to busy readers who prefer listening while multitasking. The idea of bringing my characters to life through narration excited me, as it offered a new dimension to my storytelling.  The cozy mysteries were only 60-65,000...