Skip to main content

The Glamorous Life of an Indie Author ... Featuring Mild Panic, Crooked Tablecloths, and Exactly One Functioning Pen

There is a very particular kind of magic that settles over a book expo in the early morning before the doors open.
The folding tables still wobble  on the convention hall floor. Someone nearby is wrestling with a banner stand that absolutely refuses to cooperate. The scent of coffee drifts through the room in brave little waves while authors smooth tablecloths, arrange stacks of books, and quietly wonder whether they remembered to pack enough change for cash sales.
And there I sit behind my table of cozy mysteries, smiling warmly at passersby while attempting, through sheer force of will alone, to psychically encourage them toward my books.
Go on, little murder mysteries, I think lovingly. Be irresistible.
Sometimes people pause. Sometimes they pick one up and read the back cover. Sometimes they glance at me with the tiniest bit of cautious curiosity.

Then inevitably comes the question. “Oh! Are you the author?”
Now, the official answer is, of course: “Why yes. Yes, I am.”
Which is perfectly true.

But inside my head, another answer is rattling around like loose teaspoons in a kitchen drawer.

“Well… technically yes, but also I designed the website, built the newsletter, ordered the bookmarks, created the graphics, packed the inventory, filed the taxes, formatted the paperback, fixed the printer disaster at midnight last Tuesday, updated social media, booked this event six months ago, and ate a granola bar for dinner while trying to figure out why the shipping labels wouldn’t print.”

You know. Minor details.

The trouble is, “indie author” sounds wonderfully romantic from the outside. It conjures images of candlelit writing desks, rainy afternoons, and inspired scribbling in beautiful notebooks while classical music plays softly in the background.

And sometimes it is exactly like that - at least for five minutes.

But the life of an indie author, especially a cozy mystery author, also involves a shocking amount of bubble wrap.
There are spreadsheets. There are boxes.
There are panicked moments involving QR codes.
There are late-night internet searches like, “best portable square reader for craft fair with unreliable Wi-Fi.”
At some point, every indie author becomes strangely knowledgeable about cardstock. No one warns you about this.
Readers often see the lovely finished book sitting prettily on the table beside a teacup and perhaps a decorative pumpkin if we are feeling seasonal. What they do not see is the small cyclone of work spinning quietly behind it all.

And somewhere in the middle of all this, we are still trying to write murder scenes that feel cozy rather than alarming. It is honestly a miracle any of us remember our passwords.

Book expos always make me especially aware of this strange, and terrifying balancing act.

A reader picks up your book. You smile.
You chat about mysteries and favorite detectives and whether fictional bakeries should
absolutely sell cinnamon rolls the size of soup bowls. Someone tells you they stayed up until two in the morning finishing your novel. Another confesses they bought your first book “just to be polite” and accidentally became obsessed with the series.

And suddenly every exhausting invisible task feels worth it. Even the spreadsheet.
Especially the spreadsheet.

Well. Perhaps not especially the spreadsheet. But close enough.
There is something deeply satisfying about building this kind of creative life with your own hands, even when those hands are currently covered in tape residue from assembling promotional bookmarks at midnight.

Being an indie author means every victory arrives with fingerprints on it.

Every signed copy carries the memory of the day you nervously opened your first proof copy. Every reader conversation becomes part of the story too. Every event, every sale, every kind review feels intensely personal because there is no giant machine humming behind the scenes.

It is just you, your books and your stubborn determination.

You and perhaps an emergency chocolate bar hidden under the tablecloth. And honestly, I think readers sense that.
At the end of the day, after the tables are packed away and the banners reluctantly stuffed back into their cases, I still get to say the thing that matters most.

“Yes. I’m the author.”

And that still feels a little magical every single time.

And to all my fellow indie authors out there currently balancing seventeen jobs while trying to write chapter twelve: I see you. May your Wi-Fi behave, your pens cooperate, and your books find exactly the right readers. Preferably readers who buy hardcovers and tell their friends.


Comments

Popular posts from this blog

The Absolute Madness of Naming Characters

  Let’s talk about one of the most ridiculous struggles of writing a book. No, I’m not talking about the part where you stare at the blinking cursor like it personally insulted your ancestors. I’m talking about naming characters. It should be easy, right? Just slap a name on them and move on? Oh, my sweet summer child. If only. See, naming a character is like naming your kid—except worse, because nobody is going to complain if your kid and their cousin both end up being named Liam. But if your main villain is named Liam and you accidentally give the quirky coffee shop owner in book three the same name? Cue the existential crisis. Let’s walk through the madness. The Overthinking Spiral of Doom You start writing, and there’s that moment: your brand-new character walks onto the page, full of potential. All they need is a name. A simple name. Something strong, something fitting, something— Oh no. Nothing sounds right. This one is too complicated. That one is too simple. ...

Stories Are Everywhere: The Writer’s Endless Inspiration

As a writer, one of the most common questions I’m asked is, “How do you come up with your stories?” It’s a question that often makes me smile because the answer is as simple as it is profound: stories are everywhere. Inspiration doesn’t always strike in grand, dramatic moments. More often than not, it emerges quietly, weaving its way into the fabric of everyday life. Conversations with friends, the sights and sounds of a bustling city, or even the stillness of a room can spark the seed of an idea. Writers aren’t just storytellers; we’re observers, collecting fragments of life and spinning them into tales. Let me share a recent example of how a simple evening turned into the genesis of a new story idea. Over two perfectly crafted negronis, I was discussing the schedule for an upcoming event with a friend. Their house, a treasure trove of artwork, surrounded us. Every piece of art seemed to hum with a story of its own. Midway through the second drink, I remarked, “One day, someb...

DIY Audiobook. A bit of equipment, good advice and lots of patience

I want to create an Audiobook - should I?  Ever since the release of book one in the "Cannabis Preacher" series of thrillers, that question has been on my mind.  The "Cannabis Preacher" books were quite long. To produce an audiobook from each of the four, including voice actors and audio production with a turn key service, I was looking at around $15,000 per book. Financially, that was a non-starter for me at the time. That amount represented a LOT of books and audiobooks to sell to recover the investment, and I shelved my plan again.  With the popularity of the "Magical Papillon" cozy mystery series, I found myself coming back to the growing popularity of audiobooks. I knew that audiobooks could reach a wider audience and catered to busy readers who prefer listening while multitasking. The idea of bringing my characters to life through narration excited me, as it offered a new dimension to my storytelling.  The cozy mysteries were only 60-65,000...